50% Tears, 50% Stress

Five major scandals the media isn't obsessing about

Fri, 24 May 2013 00:20:45 -0400

Are these things more important than edits to talking points? Judge for yourself.

1. Carbon pollution reaches historic highs, threatening human existence

2. The devastating impact of sequestration on kids, cancer patients and first responders.

3. Massive cuts to food stamps for the most vulnerable.

4. 1,100 workers die in a Bangladesh factory collapse, and American retailers continue business as usual.

5. 4,150 gun deaths from gun violence since Newtown.

People I find ridiculously attractive in no particular order:...

Thu, 23 May 2013 22:59:23 -0400

People I find ridiculously attractive in no particular order: Antonia Thomas

devoutfashion: Michelene Auguste

Thu, 23 May 2013 20:25:00 -0400

devoutfashion:

Michelene Auguste

Age of the geek, baby!: gorgons: crossedwires | niqaeli: I admit, I don’t know Cho that well,...

Thu, 23 May 2013 20:21:04 -0400

Age of the geek, baby!: gorgons: crossedwires | niqaeli: I admit, I don’t know Cho that well,...:

gorgons:

crossedwires | niqaeli:

I admit, I don’t know Cho that well, so I am glad there are other readings to be had!
And if he is just calling it out simply because he’s tired of it and he feels comfortable doing so even on his own films now, I think that’s fantastic. There’s certainly plenty for him to be calling out.

Heh. Well, I don’t know John Cho either. But he has talked about race & representation before* (and not in a ‘we’re all human, it doesn’t matter’ way), so it’s not completely ‘out of character’ for him to bring it up. I think it probably would be easier on him if he didn’t say anything, but I’m glad he does.

*Re Harold & Kumar (https://www.youtube.com/watch?v=NHEkLBZI1IM 4:07 mark): If you have a Korean and an Indian guy as your leads, you must address race at some point in the movie. You must, because the audience is noting it, really. The other thing is, I think, comedy at its best, treads in taboo waters a little bit. It has to have that transgressive quality to it, and race is the biggest taboo in America. I mean, people are very reluctant to talk about race and yet when you do jokes about race, uh, that work, people are very happy to release tension and laugh about it. But it has been interesting. I’ll make an observation. During the first tour for the first movie, we were talking about race all the time with journalists. It was almost like a process— looking back, the first movie was more concerned with race, but we talked about it so much, I felt that it was in a way…a way of justifying our presence in a motion picture.

And from an interview in 2009 http://www.asiaarts.ucla.edu/090703/article.asp?parentID=110145>:

JC: I recall from the Harold and Kumar movies is my struggle with the advertisers.

APA: What happened there?

JC: There was all this racial humor in the movie, and the advertising department wanted to say “Starring the Asian guy in American Pie, and the Indian guy from Van Wilder…” and they did go with that, and they submitted that to me for approval, and I said, “I don’t like it.” They asked me why, and I explain it to them, and that was tricky because it’s difficult explaining to my own representatives, why that didn’t jibe with me, because everyone kind of felt like it was keeping in tone with the movie. And I said, “I don’t like it. We’re poking fun at racism in the movie all the time, but it puts the audience on the wrong side of the racism joke.” So they were playing with the wording a little bit in the edits, and they kept coming up with versions to make me happy, but they were essentially the same thing, and I finally said, “you are not going to make me happy. You’re dancing around it, and you’re clearly attached to this idea, and I want you to know that no version of this idea will make me happy. And if you’re afraid that I won’t show up to do promotion because of this bitterness, you can rest assured that that’s not true. I consider promoting a movie part of my duties, and I will show up nevertheless. But you can either use this campaign and know that I’m unhappy, or you can change it and know that I’m happy. That’s it. Stop trying.” And eventually they went with it, and it’s one of those things where I look back and I’ve very proud of the movie, but that’s the thing I remember.

APA: Last question…for Harold and Kumar Escape From Guantanamo Bay, Viva La Union recorded a song for the soundtrack with the line, “I want my own Chinese baby” — what’s that about?

JC: When I was thinking about it, I thought of a literal baby. There’s a kind of lack that children fill, that’s just the dark side of being a parent, I think. And there’s an accessory quality to Chinese babies in America, and I just think it’s funny. I just liked it. And you know, I would know people who would fawn over Asian babies more, and it got me to thinking, there’s this belief that Asian babies are really cute, and it got me thinking that our whole race is infantilized to some degree, and it manifests itself in different ways. You infantilize a woman, and she becomes eroticized. You infantilize a man, and he becomes emasculated. You infantilize a baby [laughs] — and it’s possible, it appears that you can infantilize a baby even more. [laughs] The babies need to be cuter than white babies. And it’s just a weird thing that I felt like said something about mainstream America’s relationship to Asians in general. So that’s where it came from.

Also this interview: http://blog.angryasianman.com/2008/04/q-with-john-cho.html

“And yes, I do feel a responsibility, and always have, and it’s been an odd burden for me. Even when I started and no one gave a shit, I was trying to avoid doing roles—and it’s no accident that I’ve never done something with a chop suey accent. It’s no accident that I’ve never played those parts. I strongly believe there are a lot of Asian American actors who think that that’s the price to pay before you get to wherever you’re going. And I take real issue with that. Because you have to maintain integrity from the start, and on a personal level, you have to not do something that’s going to make you sick to your stomach.

But on a political level, how are things supposed to ever change if there’s someone willing to do it? I can tell you now, having worked in the business, that you can gather an army of people to hold picket signs and stand outside the studio, and say, “we destest this portrayal”… but it doesn’t matter if there’s a guy—who they know, a peer—who’s willing to do it, who stands in front of the crew and does the buck-tooth accent. If he or she is willing to do it, it makes the protestors look like extremists. It makes this guy look like the normal guy. Because we all work in the same industry. So the willingness of one actor negates a thousand protestors and a thousand angry letters.”

(So I can see why Butawhiteman Cantbekhan playing Khan would be deeply upsetting to him, even if Cho wasn’t in this movie.)

dondarrion: the greatest thing abt elementary doing so well is that it opens so many doors for more...

Thu, 23 May 2013 20:17:03 -0400

dondarrion:

the greatest thing abt elementary doing so well is that it opens so many doors for more shows w/ POC in leading roles. The “justification” that i always see for whitewashing is that audiences don’t want and won’t watch media with non-white leads. Even though its not like we should need to prove anything, it just makes me happy to bathe in the ratings gold, goodBYE

theinfernaldevices: casual reminder that you don’t need to try and sink all other ships in order to...

Thu, 23 May 2013 20:15:41 -0400

theinfernaldevices:

casual reminder that you don’t need to try and sink all other ships in order to keep yours floating. this is not fucking battleship.

Photo

Thu, 23 May 2013 20:01:45 -0400

You know… she solved you. The mascot.

Thu, 23 May 2013 19:59:37 -0400

You know… she solved you. The mascot.

Photo

Thu, 23 May 2013 19:57:42 -0400

aneyrieofowls: dreadfully-boring: tearstainedashes: thefancyph...

Thu, 23 May 2013 18:58:44 -0400

aneyrieofowls:

dreadfully-boring:

tearstainedashes:

thefancyphillip:

mystsaphyr:

snerpahsnerr:

2olluxii2liife:

peterbec:

A woman discovers her boyfriend’s terrible laundry secret

i

wasn’t expecting that

IT’S BACK.

IT’S BACK IT’S BACK

BEST EVER

I’M SO DONE

What…

What the actual fuck did I just watch?

I’m not sure what I was expecting

I HAVE BEEN TRYING TO FIND THIS AGAIN FOR YEARS.

Photo

Thu, 23 May 2013 18:54:18 -0400

iamjacks-completelack-ofsurprise: Will Smith embarrassing Jaden...

Thu, 23 May 2013 18:53:42 -0400

iamjacks-completelack-ofsurprise:

Will Smith embarrassing Jaden has got to be one of my all time favorite things

“You get everything or nothing. That’s the only way this...

Thu, 23 May 2013 18:40:39 -0400

“You get everything or nothing. That’s the only way this works.”

Photo

Wed, 22 May 2013 00:41:47 -0400

opheliaboobies: I am not a toy you can play with when you’re...

Wed, 22 May 2013 00:39:34 -0400

opheliaboobies:

I am not a toy you can play with when you’re bored or lonely or horny. I am not the girl the guy gets at the end of the movie. I am not a fantasy! If you want me? Earn me!

TV SHOW MEME → [3/5] awesome ladies: Olivia Pope

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Wed, 22 May 2013 00:23:43 -0400

"I’m not J.J. Abrams, who’s ultimately responsible. I’m just his Asian puppet. Which, by the way, is..."

Mon, 20 May 2013 21:19:11 -0400

“I’m not J.J. Abrams, who’s ultimately responsible. I’m just his Asian puppet. Which, by the way, is also the title of my autobiography.”

- John Cho (x)

yo my heart is racing at the guts it takes to say something like this knowing full well what could happen. damn!!!!

(via strugglingtobeheard)

benedryl-pumpkinpatch: Butawhiteboy Cantbekhan

Mon, 20 May 2013 21:15:10 -0400

benedryl-pumpkinpatch:

Butawhiteboy Cantbekhan

tylersunshineposey: Teen Wolf Season 2 Extras: Tyler Posey +...

Mon, 20 May 2013 21:12:11 -0400

tylersunshineposey:

Teen Wolf Season 2 Extras: Tyler Posey + Shirtless Montage

Eon: Dragoneye Reborn was so fucking good. It draws a lot from Japanese and Chinese culture but...

Mon, 20 May 2013 15:00:02 -0400

Eon: Dragoneye Reborn was so fucking good. It draws a lot from Japanese and Chinese culture but managed to not feel appropriated. Unlike Cinder, the world didn’t feel handpicked. In Cinder, we get bits and pieces of Japanese and Chinese culture. Everything in Cinder felt appropriated. But Eon’s world building felt much more researched.

In Eon, the world was immersive. It managed to respect the cultures it took away from and built on that to create a rich fantasy setting.

Amazing heroin and supporting characters. I was pleasantly surprised by the transgender character. I’ll get to that later.

Read Eon pls. Is good stuff.